#stash-busting

ten hats by Katherine Hajer

Last summer the ever-generous J-A and I each made a set of hats to donate to Hat not Hate, an American organisation that hands out hats to kids while teaching them how not to bully (and how not to be bullied).

The logical thing to do when making hats for a charity drive is to pick a simple pattern you can make in an evening or less, and then make it over and over, to maximise how many hats your produce.

I find that just doesn’t work for me. I get bored, and then my output slows. Instead, I gathered up all the patterns I thought looked cool, or that I’ve always wanted to try to make but never had a reason to, and matched them up with stash yarn.

The rules for Hat not Hate in terms of yarn is that it can be any colour you like, so long as it’s mostly blue. The blue can be anything from the light icy blue of the toque, to the teal of the rivet hat, to the navy tweeds of the simple hat (the navy tweed was donated by Lynda Tam — thank you!). All of the hats were stash, and it was a lot of fun to match yarn to projects.

Notes on each hat are below.

cabled beret

This is from an old copy of Vogue Knitting. Since it’s supposed to be a summer hat (!), I made it in blue-and-white marled cotton. The cables are integrated into the bottom ribbing, which was fun, as was the tidy finishing of the cables at the centre top of the beret.

crocheted cloche

This was from a recent-ish Interweave Crochet. Honestly? it was a complete pain to make, but I was still glad to make it. The main body stitch was interesting; I could see it being used once upon a time to make a bathing cap in the days before those all switched to latex.

raindrop bobble hat

This is from Norah Gaughan’s Knitting Nature book. It’s very bobbly and otherwise textured, which is unusual these days, but still seemed aesthetically pleasing. I hope the recipient agreed.

rivets hat

This is from one of Elspeth Lavold’s books, The Embraceable You Collection, based on the clothing carved on China’s famous Terracotta Army statues.

simple hat

This version was my sixth or seventh rendering of this pattern. It’s a fun, quick hat to make, and so far everyone I have given one to has talked about how much they like how it looks on them and how well it fits. It also has time travelling abilities, because people have guessed it’s everything from vintage late 60s to vintage 90s (which is mostly correct) to a brand new design. From The Shape of Knitting by Lynn Truss.

sunflower beret

This is another one from the same Norah Gaughan book as above. It went faster, and is not as complicated, than I expected, and the top especially is a very satisfying knit.

tilda reverse flat cap

This is another one from The Shape of Knitting that I’ve made more than once. The brilliance here is that for most of the hat, you’re working short rows around just the top half. It’s basically a slouch hat with all the excess fabric removed, and a much more interesting ending.

toque

I got this pattern from the Lion Brand website when I had finished Cathy’s The Shining Apollo sweater. I made three versions of The Simple Hat (fourth version included here and described above), and then made the Lion Brand pattern as another basic hat friends and family might like.

Nobody wanted it, while the Simple Hats got snapped up with requests for more. My mum has two of them now.

I do think the toque will appeal to someone. Probably someone who is used to only getting hats from major chain stores. It has a certain kind of plainness to it.

two colour beanie

This is the sort of hat that happens when you are trying to use up stash, but don’t have enough for even a hat. I used a basic free beanie pattern found on Ravelry for the base, and then did a very plain stranded colourwork section for the transition to the other colour, rather than just doing an abrupt change. The colourwork hides the beginning-of-round job and makes it a bit less plain.

crocheted lace beret

Of all of the hats, this might be the most “statement” one. I pictured a different imaginary kid as the target recipient for all of these hats, but for this one, I specifically imagined a kid with super-curly, high-volume hair. Of all the hats, this was the one I could see as most likely to be worn all day, not just outside. It’s a big enough beret with big enough openwork that it lies somewhere between a proper beret and a 1940s-style snood.

The pattern comes from Crochet Red: Crocheting for Women’s Heart Health. The pattern was pretty easy to execute once the first few lace rounds were established, and I found the increase/decrease method interesting and fun to do.

The hats all got very carefully stuffed into a padded mailer envelope and shipped off to New Jersey. Since then, Hat Not Hate has changed their hat collection method, and… I don’t know, I like their cause, but supporting a foreign charity just wasn’t as satisfying as the work I’ve done for local/Canadian groups in the past. Since then, I have been making hats and scarves from stash in all sorts of colours, not just blue. Next autumn, when the charities are collecting warm wearables again, I’d like to give them somewhere locally. I always try to make things people will want to wear, so hopefully everything will find owners who are happy to have them, not just because they need a hat and rely on community groups to get them from.

scarf as garment by Katherine Hajer

three-ended scarf with angled side pockets

Scarves with pockets are one of those winter items which are always nearly useful, but never quite there. The pockets are typically patch pockets, so not quite ergonomic. They have a built-in conflict, too: if you want to put your hands in the scarf pockets because your mittens aren’t keeping your hands warm enough, that means you probably can’t wrap the scarf around your throat. Which, really, means it’s not doing its primary job.

This three-ended scarf from The Shape of Knitting book solves these problems well. The scarf pockets are integrated into the scarf instead of patched on, which allows them to be angled and for the pocket openings to be at the sides, rather than the top. This makes them very comfortable and allows the wearer’s hands to be inserted in a thoroughly non-contrived way.

The wearer’s throat is kept warm by the third end: the grey extension anchored to the main scarf at the centre back neck. This may be wrapped around the front of the neck and then locked in place under the black part of the scarf, with the extension’s tail dangling over the back of the wearer’s shoulder. The third end is plenty long to be worn as snugly or as loosely around the throat as the wearer prefers. If it’s completely unwanted, it can be un-tucked and flipped away to hang down the wearer’s back.

Both the black and the grey yarn are leftover from sweaters I made the nieces for Yule, out of Hobbii’s Fluffy Day XL. This is a wonderfully soft, lightweight bulky yarn. The only real negative thing I can say about it is that it’s unfortunately 100% synthetic. I keep trying to stop using acrylic, but it always seems to be the only way to knit a lot of things economically. I’m hoping that as the world deals with climate change, we come up with new types of lower-cost fibres that aren’t derived from fossil fuels.

The knitting itself was fun (except for the long stretches where no shaping was going on). As with all the patterns in The Shape of Knitting, the instructions are clear and the technical editing is excellent. I’ve made ten patterns from this book, some of them multiple times, and I’ve never found a single error. The only hard part is that sometimes I don’t trust the instructions enough, and try an alternative because it’s “easier but does the same thing”, only to have to rip out a few rows and do it the way the book says to. Serves me right!

clutter to... usable clutter? by Katherine Hajer

four hats and one set of four coasters made from odd balls of yarn

There’s stash, and then there’s “it’s in my way” stash. For the first pandemic Yule season, I made the nieces and nephews some fun hats and sweaters. I also managed to finish one earflap hat (the first one shown in that earlier post).

That still left rather a lot of stash yarn. Too much for me to put away in my yarn storage, because… it’s already full of stash yarn.

Meanwhile, the ever-generous J-A gave me some assorted odd balls of yarn from a box she’d won.

All of which means that right now, I’m having some fun just making whatever the yarn moves me to, with the caveat that it has to be useful to someone, somewhere.

In the top left of the photo is a geodesic dome hat (aka a Buckminster Fuller dome). Something about my gauge compared to the pattern gauge was off, hard to say what because the pattern was on the vague side, so I added another row of triangles and made the earflaps small single triangles instead of the larger four-triangle shapes from the pattern. The colours were fun to work out for this one. I made a rule that two triangles of the same colour could share points but not an entire side.

In the top right is a beige knit-and-purl textured hat made from one of J-A’s prize skeins. Yes, I have made this pattern about seven times now. It’s quick and interesting to knit, and all recipients report the hat fits them well. The ribbed band goes from the forehead to the back of the head, and stretches width-wise to accommodate the wearer’s head.

The blue watch cap in the bottom left is also very stretchy, and has a neat diagonal panel wandering through the main fabric to keep the knitting from getting monotonous. I suspect it will fare better against the wind than a standard watch cap, because it’s in worsted-weight yarn , but only 3.5mm needles instead of the usual 5mm-ish.

The peppermint stripe had (seen here folded into quarters) will also be great against the wind, because the floats on the inside block the stitch holes on the outer layer. It’s a simple pattern that gets very mesmerizing and soothing to knit.

And then… There was a ball of cotton-based yarn from J-A’s stash that just didn’t want to be a hat. It’s the type of yarn where a biggish strand of unspun cotton is wound with a thin thread, creating a slubbed yarn with a light thick-and-thin texture. It’s not particularly stretchy, and the large amount of off-white doesn’t lend itself to items which might get dirty easily. Instead, I found a free crochet pattern and made a set of coasters out of it. Four coasters came within a couple of metres of using up the entire ball of yarn. I like the results — to me, the colours make for a 1950s-1970s look, almost like a raffia effect. I can imagine someone setting down some fruity cocktails on top of them.

It would be nice to say this made a substantial dent in the stash and that my living room is a bit less cluttered now, but I’ve still got about… two kilos of yarn, say? left. Two items are already on the needles and will contribute to the next blog post.

knitted bargello by Katherine Hajer

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Canvas needlepoint was the first craft I ever learned, but I really haven't done any since my early teens. Those paint-by-numbers canvases done in tent stitch would probably go well with mid-century modern furniture, but my favourites have always been the long smooth stitches that spanned multiple squares of canvas. Brick stitch, say, or a Florentine flame stitch. Or go full rococo with bargello, tilting that mid-century look from the fifties to the sixties. 

It so turns out that a knitter much cleverer than I has figured out how to get a bargello-type effect from knitted stripes. Xandy Peters calls her pattern Fox Paws because the tight crests of colour look like little paws reaching across the fabric. It makes a wonderful flame stitch, and does some interesting things with stacked increases and decreases that I've never seen before. 

The yarn I'm using is from an old project I started about sixteen (!) years ago, and never got more than a few centimetres done on. All of the yarn is Butterfly mercerised cotton, which comes in wonderful colours and is great to work with... but maybe not for this pattern. Something with a little stretch, like wool obviously, would be much better. 

Still, I like how the different stripe sections are coming out. 

Do take a look at the project gallery on Ravelry. It's amazing how different such a distinctive pattern looks in different colour combinations and in different garment types.